Julverne - 1979 - Coulonneux

Julverne

1979

Coulonneux

01. Le fils du Roy est névrosé

02. Joyeux Noël, cap'tain Nemo!

03. Franklin prend son thé chaud

04. Savez-vous planter du chanvre?

05. Valse cirque I

06. Prout de mammouth

07. Communiqué gouvernemental

08. Valse cirque II

09. 't kofschip

10. Trois trois deux

- Jean Coulon / trombone

- Pierre Coulon / flute

- Michel Dayez / guitar

- Anne Denis / violin

- Jeannot Gillis / violin

- Jean-Paul Laurent / piano

- Richard Rousselet / trumpet

- Denis van Hecke / cello

Ensembles performing a chamber music variation of progressive rock often get compared to Univers Zero and Art Zoyd, but if the list is stretched, Belgians Julverne are likely to find themselves in the number three slot. Taking their name from one of the earliest speculative fiction writers, Julverne peform a classically inspired music, whose (very) occasional tangents into darker territory within this chamber sort of format undoubtedly draw comparisons to their more well known Belgian contemporaries. They included a revolving line up led by flute and sax player Pierre Coulon and violin and trombone player Jeannot Gillis.

In fact, Julverne has shared musicians with Univers Zero, including Dirk Descheemaker and Michel Berckmans. So there is really no surprise that there are similarities in style to both bands. However, Julverne is more like Univers Zero's happier, more cosmopolitan younger brother. The ensemble's first album was released in 1979, and unlike their more aggressive musical brethren, Julverne don't have any drums. In fact, they only seem to be a rock band by comparison, as this truly seems to be a chamber group performing original music with influences of Satie, Bartok, Debussy, and the less dissonant measures of Stravinksy. The instrumentation is typical of chamber music with piano, strings, horns and winds, and these are arranged in many lovely ways over Coulonneux's ten-track duration. In fact, the similarities to Univers Zero and Art Zoyd are largely the musical format, as this is never angry or strident in the least. However, Julverne was certainly considered an experimental band by the musical collective that made it up, and the compositions reflect an exploratory ethic in their use of keys, modes and arrangements. Without getting into music theory, it can still be said that most of the compositions often start out in a fresh and accessible mode before veering off into a tangent belying the 20th Century influences of the band. It's a gorgeous album and rather idiosyncratic, even in comparison to the ensemble's RIO-drafted contemporaries.

A Neuf was an even more mature effort, starting with an ambitious three-piece suite. While Julverne's chamber music approach implies a sort of serious study, musically there were bits of humor sneaking into the compositions nonetheless, such as the second part of the suite, "Un Peu Pretentieux" (A Bit Pretentious). Musically this is also true, with the ensemble's occasional tangents into sly, goofy, or zany territory. One may be listening to some beautiful arranged chamber piece before the whole group speeds off in another direction, as if Bugs Bunny was yet again leading Elmer Fudd off on another wild goose chase. In fact, if anything sets apart Julverne from cousins Univers Zero, it's this omnipresent playfulness. Only a group of skilled musicians and composers could pull off such a thing in such complex and involved compositions. Not a piece of music is anything but entertaining here, rich in ideas, spontaneity, dynamic diversity and mood. Perhaps it's more a tribute to such classy music that Julverne finds itself in such company with bands like Univers Zero in Belgium's most interesting lineage of experimental chamber music ensembles.

While the first two albums by Julverne might be considered the formative work of the ensemble, the band would release two more albums, 1983's Emballade and 1986's Ne Parlons Pas de Mahleur, before dissolving. In 1992, the Igloo label would release a retrospective of these albums (Le Retour du Captain Nemo) including a great deal of music from the early albums.

If one was to draw a map of the Belgium prog scene (outside of the symphonic current) , all period considered and all currents considered (Zeuhl, Canterbury , RIO , Avant-prog , jazz-rock all fitting into what is called CHAMBER ROCK – but I choose to call it Chamber prog , because some of those bands are not really rock anymore) , then JULVERNE would likely be right in the centre of the story. All musicians have a link with all major bands from that small surrealist country where culture is the main gathering force but also the main dividing rift between the two major communities of the land. Members of JULVERNE have played or will play in UNIVERS ZERO , PRESENT , AKSAK MABOUL , X-LEGGED SALLY , COS , CRO-MAGNON , etc.. The group started as a bunch of music classical students wanting to reinvent the classical chamber orchestra by adding a bit of a rock twist although this will remain very discreet. But on the mood spectrum I would place them on the opposite scale of Univers Zero, the first being the extra joyful joie de vivre as opposed to the dark and lugubrious underworld of UZ. The first album actually was the oeuvre of Pierre Coulon , but the next two albums were also quite interesting as En Ballade stands a bit apart from the rest of their discography often digressing into jazzier terrain and some vocals. They recorded a last album in 86, and nothing (apart from a compilation album in 92) was heard of them until the turn of the century when they reconvened for another album celebrating the renovation of a spectacular building in Brussels that has remained open to public for exactly four hours before being closed for obscene bas-relief. Did you say Belgian surrealism?

"Coulonneux" the debut album of JULVERNE it's one of the lost jewels of the 70's, a very soft RIO, very different to Samla Mammas Manna, Henry Cow or Art Zoyd, a little bit of Opus Avantra maybe. 10 instrumental songs, none of them hard or speed, only quiet and soft songs. the RIO scene in Europe in the last years of the 70's decade, it's very wide, and we can find a lot of albums very similar or very differents for each other. if you're a hugh fan of the classic bands of RIO, you can't miss the oportunity to listen this wonderful album. it's brilliant, one of the better works in the genre. i'm listening to ths album (for the first time in my life) right now, and i had to say, that i already love it.

A refreshing take on the then-nascent chamber-prog scene. Instead of sounding dark and oppressive like Univers Zero, Julverne sound light and free. Unfortunately, since we tend to associate "angst ridden" with "cool," I suspect that Julverne's approach will not be immediately appreciated by most "hipsters" in their never-ending search for new music that will impress their friends (To be fair, I also found Julverne too cheerful at first). However, for those willing to give this disc the repeated listens that it requires, a surprising amount of depth is revealed, and the "cheerful" exterior begins to show clear moments of tension, longing, and even fear. As well as beauty.