Odyssey
1972
Odyssey
01. Home Of The Brave 3:31
02. Georgia Song 3:24
03. Country Tune 2:46
04. Gossamer Wings 3:00
05. Our Lives Are Shaped By What We Love 3:36
06. Wondrous Castles 3:06
07. Battened Ships 2:59
08. Sunny California Wo-Man 3:33
09. Black Top Island (Of The West) 3:28
10. Broken Road 2:44
Acoustic Guitar, Guitar – Don Peake
Acoustic Guitar, Guitar, Guitar [Slide] – Donnie Dacus
Bass [Fender] – Warner (Doc) Schwebke
Drums – Gene Pello
Lead Vocals – Royce Jones
Piano, Electric Piano, Vibraphone, Vocals – Kathleen Warren
Producer – Karl Bornstein, Michael Goldberg
Vocals – Billy Pierce
A key moment in the west coast years of Motown -- and one of the most unique albums the label recorded during the early 70s! The group's got a mixture of soul, funk, and rock -- served up by a hip lineup of younger longhairs who make for a real change from the class and poise of Detroit in the decade before! There's a freewheeling vibe here that takes inspiration from Sly & The Family Stone, but which is handled with some more acoustic elements and jazzier phrasing at times too -- a really great Free Soul quality that's kept the album an under-discovered treasure for years. The whole thing feels more like a lost A&M gem from the Laurel Canyon scene -- but with a definitely soul bent, too --
As the ‘70s began Tamla Motown, flushed with cash from its ’60s successes, was about to relocate from its Detroit home to California, before this wholesale relocation took place the label got one foot in the door via the launch of a West Coast label named….yup you guessed it Mo-West. The label was quickly forgotten once the parent company set up shop in sunnier climbs, although not before they’d scored a handful of hits (Franki Valli’s ‘The Night’ being one of them), a lot of flops and the occasional record that sunk without trace at the time, before its eventual rediscovery – hello Odyssey!
Not to be confused with the late ‘70s pop/disco-ers, who scored big with ‘Native New Yorker’ and ‘Going Back To My Roots’. This Odyssey were an altogether stranger affair; counting an ex-original-member of Chicago Donnie Dacus amongst their line-up and with a musical style that might best be described as a strange amalgam of soul/funk mixed with a dash of sunshine-pop and even a light sprinkling of country – YIKES! But wait come back, check ‘Broken Road’, all super-loose afro/jazz vibes with a liberal dose of West Coast Hippie thrown in for good measure.
If the album has appeared on your radar chances are it’s down to two songs, firstly, the mysteriously titled ‘Battened Ships’ (not that mysterious actually, it’s a long thin strip of wood that helps keep the sail in place), ‘Battened Ships’ is a feet-shuffling, Latin-infused, floor-filler that’s been at the top of the more discerning DJ’s wants lists ever since the album was first deleted – rumours have it that the record was changing hands for as much as $100 in the mid-‘70s!
If ‘Battened Ships’ floats your musical boat then check out ‘Our Lives Are Shaped By What We Love’, big things must have been expected of this as it was chosen as the albums lead single, it’s a bit of a no-brainer, being a super-sophisticated slice of laid-back soul with a stunning vocal from future Steely Dan and Ambrosia vocalist Royce Jones – still a sought after cut (big in Japan apparently), with a stock copy sold on the Bay recently for $125 – needless to say, the band never recorded again and the album soon hit the bargain bins and deletion cut outs section.
As a footnote top US reissue label Light In The Attic recently cribbed the ‘Our Lives Are Shaped By What We Love’ title for their Mowest compilation LP/CD…..as for the band, just the one LP and one promo ’45, Royce Jones went on to tour with Steely Dan and Ambrosia, but other than that the trail goes cold.
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