Tuesday, July 30, 2024

Everette De Van - 1981 - This Is Ssslick

Everette De Van "
1981
This Is Ssslick





01. This Song For You
02. Crisco
03. Next Time You See Me
04. Somewhere Along The Way
05. Teach Me Tonight
06. People's Choice
07. I'll Remember April
08. Gypsy In My Soul
09. Stormy Monday
10. Voodoo Village

Drums, Vocals – Dwight Jenkins
Guitar, Vocals – Lloyd Schad
Organ – Everette De Van
Trumpet [Guest] – Pat Morrisey
Vibraphone – Kent Means

This is a self release LP, Recorded at Stage 3 Sound Productions in Kansas City, MO.
A special thanks to Pat Morrisey for adding his distinctive trumpet accent. And to our many friends and followers who support us and the music we love. (The words of “ssSlick”, from original cover)


Original liner notes by Carol Comer, veteran singer/ musician/ songwriter, who served as Executive Director of the Women`s Jazz Festival Inc. She was also Kansas City`s correspondent for Down Beat Magazine:

This is not a perfect album, thank heaven. Perfection is sterile ... unreal. Remember it`s the kelp on the beach that gives it color; the crag on the mountain that gives it character; the cloud in the sky that gives it motion. Summing up, it is the feeling they have for their music, for each other, and for you, their audience – that makes “This is ssSlick” worthwhile.

Side 1:

Lloyd`s mellow voice and guitar are introduced in “The Song is You” where everyone contributes their two-cents (or sixteen bars) worth. Lloyd is a big favorite of mine and I`m especially impressed with his vocal duplications, simultaneously scatting the instrumental line in octave unison. You`ll get a taste of what I`m talking about later on. My favorite cut “Crisco”, really cooks, pardon the pun. Composed by Everette, it illustrates ssSlick`s penchant for funk, with DeVan and Jenkins in particulary good form; Dwights street-wise traps are testimony to his touring days with James Brown. On “Next Time You See Me”, a shuffle type blues, Dwight doubles as vocalist, although Everette endeavors to steal the show with some “organomics” that could have you believing someone changed the speed to 78 RPM. Lloyd and Kent take solo turns on the familiar standard, “Somewhere Along The Way”, offered here in a touch-dance tempo. A big band sound is simulated on “Teach Me Tonight” (no easy task for a quintet) and all five seem to have a nice, walkin` tempo good time.

Side 2:

”The People`s Choice” is a melodic minor key bossa, great to listen to and blessed with a nice guitar interlude midstream. A straight ahead version of “I`ll Remember April” (one of my faves of all time) featuring Lloyd is followed by his laid back guitar/ vocal opening the door to “Gypsy in my Soul”, a refreshing variation from the usual barn burner arrangement. “Stormy Monday” is ushered in (via Everette) with what a moan sounds like when it`s orchestrated. You`ll marvel at the George Benson-like inventions offered by Lloyd, and I think you`ll agree that this one has the power to stop clocks, cure ills, maybe even change the economy. Another DeVan original, this time a Latin number called “Voodoo Village” features Kents backphrasing vibes for openers and Everette hot on his heels with a racy and rapid fire B-3 solo. Once more everyone pitches in a passage and the only things missing are the vines and the parrots.

I had the pleasure of performing with both Everette and Kent in a group that played the old colony a few years back. We`d amuse ourselves (and occasionally the audience) by trying to surprise each other with new variations of old melodies ... unexplored patterns of familiar themes. It was a lot of fun and I think all of us grew as a result. We`re in different groups now but as I listen to the album I`m reminded of the camaraderie that prevailed during those Colony days. I`m very happy for Everette, Kent and their new group (I`m less familiar with Pat and Dwight – more about Lloyd in a moment, but having heard them I feel they`re a worthy addition) and I`m happy too, to share my impressions of their efforts on “This is ssSlick”! They perform regularly in and around Kansas City and I hope you`ll make a point of checking them out in person. You`ll be glad you did!

A cool little album from the Kansas City scene – a mix of jazz, soul, and vocals – played by a mixed group that includes organ, guitar, vibes, and percussion! The sound is swinging soul jazz, but with vocals out front at times – and the sound is nicely rough around the edges, hardly the commercial affair you might guess from a group with "slick" in their name! These guys are clearly well suited to handling a variety of crowds, as you can tell from the shifting moods of the record – but they've also got a good talent for cooking up some good soulful tunes of their own, like the bossa-inspired "People's Choice", the mellow steppin "Voodoo Village", or the soul jazz groover "Crisco" – which begins with a really great break! The whole thing's pretty nice, and there's a few tasty cuts that also feature scatting vocals going together with the guitar.

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