Showing posts with label Vinnie Colaiuta. Show all posts
Showing posts with label Vinnie Colaiuta. Show all posts

Sunday, March 24, 2024

Tom Fowler - 1992 - Heartscapes

Tom Fowler
1992
Heartscapes



01. Coffee Shop 5:36
02. Merely To Love You 4:30
03. Arigato Daijobu 4:10
04. Jimmy 4:56
05. She Looks Like A Girl 5:09
06. Angel Face 3:58
07. Burn You With Cold 4:17
08. Languished On The Line 5:03

Alto Saxophone – Steve Fowler (tracks: 1, 2, 4, 5, 8)
Backing Vocals – Alec Milstein (tracks: 8)
Backing Vocals – Amy Keyes (tracks: 7)
Backing Vocals – Bob Fernandez (tracks: 7)
Backing Vocals – Cathy Wyatt (tracks: 7)
Backing Vocals – Jaime Troy (tracks: 7)
Backing Vocals – Joy Fowler (tracks: 7)
Backing Vocals – Margie Balter (tracks: 7)
Bass Trombone – Phil Teele (tracks: 1, 5, 8)
Double Bass – Tom Fowler (tracks: 1, 6)
Drums – Chester Thompson (tracks: 2)
Drums – Gary Novak (tracks: 1)
Drums – Ralph Humphrey (tracks: 4)
Drums – Ray Brinker (tracks: 3, 5 to 7)
Drums – Vinnie Colaiuta (tracks: 8)
Effects – Alex Wurman (tracks: 7)
Electric Bass – Tom Fowler (tracks: 2 to 5, 7, 8)
Flute – Steve Fowler (tracks: 1, 2, 4, 5, 8)
Guitar – Michael O'Neill (tracks: 1, 2, 8)
Guitar – Mike Miller (tracks: 2 to 7)
Keyboards – Walt Fowler (tracks: 1, 2, 4, 5, 7, 8)
Percussion – Ricky Cosentino (tracks: 1)
Tenor Saxophone – Albert Wing (tracks: 1, 2, 5, 8)
Trombone – Bruce Fowle (tracks: 1, 2, 5, 8)
Trumpet, Flugelhorn – Walt Fowler (tracks: 1, 2, 4 to 6, 8)
Violin – Tom Fowler (tracks: 4)
Vocals – Aimee Chalfant (tracks: 5)
Vocals – Lynn Fiddmont (tracks: 8)
Vocals – Ricky Cosentino (tracks: 1 to 7)
Words By – Ricky Cosentino (tracks: 6)




This is a really brilliant album if one has the de-conditioned ears to listen closely. It is very accessible but also very Zappaesque and modern, as it should be, coming from Zappa's old bass player from the early 1970s, during the time George Duke and Jean Luc Ponty were in the band (Fowler also played on the stone-cold classic early JLP albums "Aurora" and "Imaginary Voyage"). Some of the songs have a "smooth-jazz" feel to it on the surface but make no mistake about it, they are still quite progressive in their own little ways. Fowler, following the example of Zappa, has tweaked the tunes and the lyrics and every bit of detail in just the right way to turn it into a real artistic statement full of humor and discovery and not just another cynical attempt to get radio play and achieve "commercial potential" through watering things down. The singers Fowler uses are not famous names to me but they are amazing. I really hate bad singers (or singers who may have at one time been great but lost it) who can't carry a tune but are given a pass because they're famous personalities from well-known groups,etc.

As far as appearances from other famous Zappa alumni go besides Tom and the rest of the Fowler brothers, Vinnie Colaiuta plays drums on track 8, Chester Thompson on track 2 and Ralph Humphrey on track 4. Chick Corea, Allan Holdsworth and Alanis Morissette drummer Gary Novak plays drums on track 1.

Thursday, March 21, 2024

Fowler Brothers - 1988 - Breakfast For Dinosaurs

Fowler Brothers 
1988 
Breakfast For Dinosaurs




01. Call Waiting (6:10)
02. Languished On The Line (5:01)
03. Queue (6:43)
04. Breakfast For Dinosaurs (4:26)
05. Mr. Butterfly (4:26)
06. She's Not Symmetrical (4:56)
07. Kaiparowitz High (6:48)
08. No More Mr. Nice Girl (5:19)

Bruce Fowler / trombone, background vocals
Steve Fowler / alto sax, flute
Tom Fowler / bass
Walt Fowler / trumpet, flugelhorn, keyboards
Ed Fowler / bass, keyboards
Albert Wing / tenor sax
Mike O'Neill / Electric Guitar, background vocals
Lynn Fiddmont / lead & background vocals
Chester Thompson / drums
Alex Acuna / drums, percussion
Vinny Colaiuta / drums
Phil Teele / bass trombone
Ike Willis / lead vocal
Mike Miller / acoustic guitar
Luis Conte / percussion
Mona Lisa Young / background vocals
Alec Milstein / background vocal



The title track is the most interesting cut on the album, and it's no surprise it was penned by Bruce Fowler. Most of the rest of the album sounds like it's from a 1980s movie soundtrack (for some reason I keep picturing Eddie Murphy). Even the final cut would fit right in being played during a film's credit roll at the end of the movie. Better I think for most people to seek out Bruce's solo efforts first.