Showing posts with label Laurent Cokelaere. Show all posts
Showing posts with label Laurent Cokelaere. Show all posts

Wednesday, February 23, 2022

Laurent Cokelaere - 1985 - Minigruel En Concert

Laurent Cokelaere
1985
Minigruel En Concert




01. Interlude N°1 1:00
02. A Night In Tunisia 5:36
03. Beach Break 6:45
04. L.L.P.M. 8:26
05. Prélude Capricciosa 0:46
06. T.N.T. 6:08
07. Interlude N°3 4:23
08. Kabyle 8:37
09. Biguine 2:31


Recorded at studio Charles Cros, maison de la culture d'Amiens, may 14, 1985 during the 4th "Temps du jazz" festival.

Bass, Arranged By – Laurent Cokelaere
Drums – Tony Rabeson
Electric Piano, Synthesizer [Memorymoog] – Robert Persi
Piano, Synthesizer – François Couturier
Soprano Saxophone – François Debricon, Pierre Mimran
Drums – Tony Rabeson
Electric Piano, Synthesizer [Memorymoog] – Robert Persi
Soprano Saxophone – François Debricon, Pierre Mimran
Synthesizer – François Couturier




The album starts with a solo by Cokelaere supposedly played on the bass--though it sounds to me like a guitar, I never knew a bass could be so soprano, then inauspiciously the band plays the ancient and thus rotting, decomposing standard Night in Tunisia, and by now everyone knows what I think of those godawful rejecta, inexplicably long-lasting despite being usually not even the best of melodies, played over and over like The Beatles' Yesterday on classic radio to the point of Guantanamo-generated insanity or rather CIA-sanctioned torture.

Inevitably this follow up successor to the previous Coke Tales masterpiece is not as good, being more commercial-oriented and fuzacky and live, to boot. Most appropriately for these times, a track called Beach Break (everything written by Cokelaere except the aforementioned Tunisia)

Laurent Cokelaere - 1983 - Coke Tales

Laurent Cokelaere 
1983 
Coke Tales




01. 421 Marlborough Street
02. Don't Eat Me Pac-Man!
    a) Maze
    b) N.M. 11/12
03. Bick's Kick
04. Havona
05. Chromatic 12
06. Funky Pedulla, Groovy Orsini
07. Instreaneuse Blues
08. Spotta Pulsation 60

Alto Saxophone – Richard Foy
Baritone Saxophone – Jean-Claude Doletina
Bass – Laurent Cokelaere
Bass – Frédéric Payonne
Drums – François Laizeau
Drums – Amaury Blanchard
Guitar – Khalil Chahine
Guitar – Philippe Drouillard
Guitar – Jean-Dominique Sallaberry
Keyboards – Bertrand Richard
Keyboards – Georges Gasquy
Percussion, Voice – Sydney Thiam
Tenor Saxophone – Bertrand Auger
Tenor Saxophone – Francis Bourrec
Alto Saxophone – Richard Foy
Baritone Saxophone – Claude Thirifays
Soprano Saxophone – André Villeger
Trombone – Jean-Louis Damant
Trombone – Denis Leloup
Trumpet – Dominique Derasse
Trumpet –Jean Imbert
Violin – Pierre Blanchard
Electronic Drums [Simmons] – Philippe Chauveau
Bugle [Solo] – J.-L. Lognon
Double Bass – José Parras




Bassist Laurent Cokelaere composed all the music for this record, except for the Weather Report (Jaco Pastorius) track called Havona and a fantastic track that is too. It's a wonder he didn't write more before. I guess he played in the Yoch'ko Seffer group which explains the huge amount of progressive ideas. I looked through the bands in his discography, though that might not be complete, and there's not much else of interest other than the follow up live Minigruel en Concert album from 1985 (which will be here shortly).

It's a beautiful album cover, you can see they collaged old engravings from 19th c. French artist Gustave Dore on an outer space background to wonderful effect. Very original too. The title of the album must have been such a hilarious punnish joke to all those present, given the times, today, it just seems silly.

I think you can consider the music a cross between the funky guitar fusion of Alain Renaud recently compiled here and the Jeanneau big band jazzier style of fusion posted multiple times here in the past. What's beautiful is the way he keeps the funk in the mix, front and centre, whilst using such a great band full of brassy arrangements in the background-- Cokelaere did the orchestrations and arrangements too. It's a remarkable sound and hugely, highly enjoyable for myself, with the warmth from commercial-pop funk permeating through and through the more intellectual, jazzier elements. All instrumentals. To my surprise the band, which is called Polygruel, has 21 members.

A juicy and heterogenous gem in my humble opinion. Listen and please let me know what you think about it.