Showing posts with label Dou Kaya. Show all posts
Showing posts with label Dou Kaya. Show all posts

Thursday, January 6, 2022

Dou - 1979 - Conscientiousness

Dou
1979
Conscientiousness



01. Iruption
02. Black Conscientiousness
03. Eyibim Mani
04. Etna
05. Any Funky Now
06. Kwanza
07. Managua Children

Bass, Bells – Dou Kaya
Drums, Percussion [Congas] – Agyman
Guitar – Joe Tongo
Flute, Percussion, Clarinet, Tenor Saxophone – Jeff Sicard
Trombone – Alphonse Leboucher
Flute, Trumpet – Longineu Parsons
Saxophone – Sulayman Hakim
Vocals – Nimon Toki Lala
Gong, Performer [Sopralino], Flute – Didier Malherbe

Recorded At – Studio Cybernis
Recorded At – Studio Johanna
Didier Malherbe with kind authorisation of Sonopresse.




This is the second album of the group Dou, whose name comes from the bassist, singer and percussionist who is none other than Dou Kaya. This one also played the saxophone, the balafon, the tuba and the horn on the first album of the formation, but "guests", newcomers of luxury, integrate themselves here and there, over the titles of the album. .

We note, among others, Didier Malherbe on flute and gong, Sulayman Hakim on saxophones, Alphonse Le Boucher on trombone, Joe Tongo on guitar, Steve McCraven on drums, Jeff Sicard on flute, clarinet and saxophone ...

The album was released in 1979 on "Corelia" an independent French label making private prints, which is to say if vinyl is not very common, in terms of curiosities we can also add that the song is in Haitian Creole. , as evidenced by the lyrics on the inner sleeve, in fact the album comes in the form of a very beautiful "gatefold".

The formations vary according to the pieces, the styles also, slipping from spiritual music to post bop pre-free, even to funky rhythms and reggae colors, and even to the repertoire inspired by Haitian folklore ... We are thus tossed about by a boat without a compass, but that does not harm the unity of the album which maintains a very warm and balanced color throughout.

Dou Kaya and Alphonse le Boucher are the pillars of the album, present on all the tracks. There is a lot of room for improvisation around structures, and this spirit of listening, in a fairly free impetus, helps make this album a very pleasant listening moment.

French Bassist Dou Kaya, his band with Guitarist from Cameroon and French musicians. Sound like mix African rhythm, Jazz Rock, Psychedelic mood. Mysterius Psychedelic Traditional Jazz Rock like Embyro.

It's like a fusion of African rhythm, jazz rock and psychedelic fairy, with a Cameroonian guitar player and a French musician united around the French bassist Dou Kaya (the participating African disco 12-inch pieces are also wonderful). An exciting piece. Psychedelic jazz rock A3 full of fairy, B1 reminiscent of Embyro with a wonderful flowing performance.

Dou - 1977 - Deïdo

Dou
1977
Deïdo



01. Ngosso Biko 3:12
02. Epis 6:04
03. Petepied 10:05
04. Sa Sainteté Eugène 6:04
05. Hot Dance 4:58
06. Ballade En Bleu 8:18
07. This Is Our Music 5:17

Bass, Balafon, Tuba, Horn, Alto Saxophone, Vocals – Dou Kaya
Drums, Bugle, Flute, Percussion, Vocals – Jean-Claude Broche
Guitar, Trumpet, Saxophone, Percussion – José Palmer
Soprano Saxophone, Alto Saxophone, Flute, Trumpet, Vocals, Balafon – Sulliman Hakim
Trombone, Bugle, Tuba, Saxophone, Percussion, Vocals – Alfonse Leboucher

Recorded at studio Cibernis.




We continue with Dou Kaya who is also a great scholar, professor of Egyptology. Here is his first album "Deïdo" which was also released by the same publisher "Corelia" and under the same conditions as "Conscientiousness", but with a staff a little less substantial and known, at least by amateurs.

This first essay was given remarkable encouragement by obtaining the Grand Prix International du Disc Académie Charles Cros in 1977. The distinction is signified on the cover of the album by a prestigious badge on which also appears the mention "Grand prix du CD". ".

We find musicians who, for some, will also be present on the second album, Dou Kya (lead vocal, bass, percussions, balafon, tuba), José Palmer (guitar), Jean-Claude Broche (drums, percussions, vocal), Sulliman Hakim (alto sax, soprano and balafon, vocal) and Alphonse Leboucher (Trombone, tuba, sax, vocal).

Frankly we are not disappointed, the approach is always very improvised and, even if we do not fly into fabulous technical feats, the music is superb, crossed by a concern for improvisations, by the voices on the first title, free music on the second, percussions on the third and improvisations around the double bass and percussion on the fourth, the first side is extremely pleasant.

The second also, divided into three pieces that develop between free and experimentation, first the magnificent Hot dance, then Ballade en bleu, hot, colorful and bucolic and This is Our Music whose title evokes Ornette Coleman and which moves forward, seems he, entirely improvised.

Sure, they had the eye, but especially the ear, that year at the academy!