Grotto
1978
Grotto-II: Wait... No Hurry
01. Wait... No Hurry
02. Maya
03. When Will I Learn
04. Who Gives A Damn
05. Bad City Girl
06. Yeah! Runnin'
07. Freestyle
Bass Guitar – S. Benson (tracks: A1, B3)
Bass Guitar – T. Mason Jnr. (tracks: A2 to B2)
Chorus – E. Bassey (tracks: B3)
Chorus – M. Amenechi (tracks: B3)
Chorus – T. Mason Jnr. (tracks: B3)
Drums – E. Bassey
Guitar – J. Ikemefuna (tracks: B3)
Guitar – T. Mason (tracks: A1)
Interviewer – Temitope Kogbe
Keyboards – Gboyega Adelaja
Lead Guitar – M. Amenechi
Lead Guitar – S. Benson (tracks: A3 to B1)
Lead Vocals – J. Ikemefuna (tracks: B3)
Percussion – T. Mason Jnr. (tracks: A2 to B2)
Percussion, Flute – Willie Edozie
Rap – E. Bassey (tracks: B3)
Vocals – E. Bassey* (tracks: A1, A3, A4 to B2), M. Amenechi* (tracks: A1, A4, B2), J. Ikemefuna* (tracks: A4, B1), S. Benson* (tracks: A3), T. Mason Jnr. (tracks: A1, A4, B1)
Grotto II: Wait, No Hurry, originally released in 1979. "Odion Iruoje was the A&R manager at EMI at the time,' Benson says, 'and he auditioned us, liked the material and signed us.' Odion Iruoje of course had groomed and produced Ofege. Now he was looking to repeat the formula with other high school groups such as Tirogo, Apples and Question Mark. Grotto's deep rock would be a welcome addition to this 'schoolboy rock' series. Work on their album started immediately, with Iruoje in the producer's chair. Adapting to the tastes of the times -- as well as their own maturing musical sensibilities -- Grotto started transitioning from acid rock towards sleeker, more dance floor-friendly grooves. 'As I grew older I think I got a bit jazzier,' Benson says. 'I also listened to Curtis Mayfield, James Brown, Isley Brothers, Prince and a lot of funk groups from that era.' 'Hard rock was the content of the first album,' Amenechi agrees, 'and funk/jazz/R&B the focus of album number two. Especially with the late Toma Mason Jr. joining as bassist.' The group's second album, Grotto II: Wait, No Hurry (released in 1979) reflected the growing sophistication of its members' musical outlook. Fat, funky bass grooves rubbed shoulders with jazzy flute lines; space-age synthesizer tones punctuated good, old-fashioned crunchy rock riffs." --Uchenna Ikonne
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