The Don Rendell Five Featuring Barbara Thompson
1976
Just Music
01. The Wensleydale Suite
02. Well, Make It Up
03. Sands Of Time
04. Blues For Adolphe Sax
05. Penta-gone
06. Gab And Ben
07. Out Of My Window
08. Mina Impact
Bass, Bass Guitar – Steve Cook
Clarinet, Flute, Soprano Saxophone, Tenor Saxophone – Don Rendell
Drums – Laurie Allan
Flute, Soprano Saxophone, Tenor Saxophone – Barbara Thompson
Piano, Electric Piano – Peter Lemer
A1, B1, B3 : BBC Maida Vale Studios, London - Tuesday, January 29, 1974
A2, A3, B2, B4, B5 : BBC Maida Vale Studios, London - Wednesday June 12, 1974
Don Rendell - one of the elder statesmen of British jazz and one of it's most admired and respected musicians - has played with so many of the greats: Ted Heath, John Dankworth, Stan Kenton, Woody Herman and Billie Holliday (as part of her band for a recorded gig in Manchester) and with his own band opposite the likes of Gerry Mulligan and the MJQ. And that was just the 1950's. Since then he has worked with a large number of the best of British and American musicians - Ian Carr, Michael Garrick, Barbara Thompson (who appears on this album), Robin Jones and Dave Green, to name but a few of the British players.
'Just Music', featuring the acclaimed Don Rendell Five, is in fact two sessions from 1974, both recorded at the BBC Maida Vale studios in London and subsequently broadcast as part of the Jazz Club and Jazz In Britain programmes. This is a first time on CD issue for these recordings.
This album is something of a classic of British jazz from the period, consisting of two BBC recordings of the Don Rendell Five, a group which never recorded commercially with this line-up - although a 12" maxi-single of "Blues for Adolphe Sax" and "Swings and Roundabouts" both written by Thompson - appeared in 1976 featuring Rendell and Thompson with a different rhythm section.
The first four tracks of the album feature "The Wensleydale Suite" a 16 min. piece which provides an excellent showcase for the band, particularly the diverse instrumental combinations the front-line could muster - two tenors, flutes, the sensuous weaving of two sopranos (on Wensleydale) and other imaginative pairings.
The remaining tracks - from a "Jazz in Britain" broadcast - also utilise this strength and present original compositions by both saxophonists - and one, "Gab and Ben" by pianist Peter Lemer.
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