Monday, February 3, 2025

Eiji Nakayama - 1978 - Aya's Samba

Eiji Nakayama
1978
Aya's Samba



01. Aya's Samba 6:32
02. Yellow Living 9:53
03. See Sea Town 9:48
04. Far-away Road. 8:08

Bass – Eiji Nakayama
Drums – Takaaki Atsumi
Piano – Atsushi Sakuraba
Tenor Saxophone – Kenji Takahashi

Recorded on February 2, 1978.



Beautiful grooves from a cool Japanese group -- one led by bassist Eiji Nakayama, with some great electric piano and tenor sax in the lineup too! The tracks are long, and relatively open-ended -- kind of in the Three Blind Mice label style of the period, but with an even more contemplative feel -- especially on some of the piano lines, which get nice and blocky -- really feeling their way into space, as the tenor sax comes into the mix to carve out a few more edges!

I'd never had as much joy getting into samba as I have bossa nova (sorry Chico Buarque, sorry Luis Bonfa), but this here jazzthing takes everything strident and sensual I like about samba rhythms and pares it back to a relatively sparse jazz quartet arrangement without any of the florid melodic trappings that have imposed a low ceiling for me in the past. The bookending tracks explore this samba-jazz fusion most vibrantly, while the middle two are mellow jazz loungers. "See Sea Town" is the most ambitious piece of the two, culminating in a long, erratic solo from saxophonist Kenji Takahashi, but his playing across the "Misty"-esque slowburner "Yellow Living" might just be the greater highlight: this one's demure stylings accentuate the grit in his rather dry tone better than anything else on the record. Nakayama’s double bass is the star of the show, however: I love, love, love the way he carries these grooves but maintains such a vibrant melodic dialogue with his bandmates.

Anyhow, four substantive tracks in 35-minutes also gives this tremendous binge value that I’ve exploited with relish – I've explored a hell of a lot more jazz since first hearing this, but it remains an easy go-to. It was also reportedly the inspiration behind the Japanese jazz label Johnny's Disk, so chalk up a handful of legacy points if this is something that matters to you. Great record.

8 comments:



  1. http://www.filefactory.com/file/6qyjk45rxw5q/F1034.rar

    ReplyDelete
  2. Archer, thank you for all the posts of 2025 and earlier.

    About your comment on samba:
    You can try https://www.discogs.com/master/494837-Edison-Machado-Edison-Machado-%C3%89-Samba-Novo
    or
    https://www.discogs.com/artist/83725-Meirelles-E-Os-Copa-5

    All Bossa Nova are a kind of smooth samba as well as Noel Rosa's (old) Bossa.
    You can try chorinho (kinda light music samba, in oposition to portuguese fado, a lament)
    https://www.discogs.com/master/596606-Pixinguinha-Som-Pixinguinha
    and
    https://www.discogs.com/artist/449221-Jacob-Do-Bandolim
    or maybe samba jazz
    https://www.discogs.com/master/928278-Paulo-Moura-Hepteto-Mensagem
    or just browse Paulo Moura, he did orchestra (symphonic, jazz and samba), small groups of modern jazz, fusion-like with brazilian rhythms, chorinho, gafieira and also folk so you can hear samba (and bossa) from other point of view.
    https://www.discogs.com/artist/182168-Paulo-Moura?superFilter=Credits

    Oh, Chico is more of a poet, so his samba makes more sense with understanding the message more than the music, and he is a theater guy, so there's the operatical approach (or conceptual or programatical) that guides his albums. The lyrics are sardonic, cynic, critic, ironic of situations as censorship, 25 years of dictatorship, corruption and the life of misery of the people and the joy of samba as hope or escape.

    ReplyDelete
  3. Archer, thank you for all the posts of 2025 and earlier.

    About your comment on samba:
    You can try https://www.discogs.com/master/494837-Edison-Machado-Edison-Machado-%C3%89-Samba-Novo
    or
    https://www.discogs.com/artist/83725-Meirelles-E-Os-Copa-5

    All Bossa Nova are a kind of smooth samba as well as Noel Rosa's (old) Bossa.
    You can try chorinho (kinda light music samba, in oposition to portuguese fado, a lament)
    https://www.discogs.com/master/596606-Pixinguinha-Som-Pixinguinha
    and
    https://www.discogs.com/artist/449221-Jacob-Do-Bandolim
    or maybe samba jazz
    https://www.discogs.com/master/928278-Paulo-Moura-Hepteto-Mensagem
    or just browse Paulo Moura, he did orchestra (symphonic, jazz and samba), small groups of modern jazz, fusion-like with brazilian rhythms, chorinho, gafieira and also folk so you can hear samba (and bossa) from other point of view.
    https://www.discogs.com/artist/182168-Paulo-Moura?superFilter=Credits

    Oh, Chico is more of a poet, so his samba makes more sense with understanding the message more than the music, and he is a theater guy, so there's the operatical approach (or conceptual or programatical) that guides his albums. The lyrics are sardonic, cynic, critic, ironic of situations as censorship, 25 years of dictatorship, corruption and the life of misery of the people and the joy of samba as hope or escape.

    ReplyDelete
  4. all great jap albums ive had for years..great post dude!

    ReplyDelete