1973
Kollektiv
01. Rambo Zambo 11:49
02. Baldrian 7:05
03. Försterlied 1:49
04. Gageg 18:42
Bonus Tracks:
05. Intro 2:23
06. Pull Moll 7:16
07. Pap-Jack 13:17
08. Rozz-Pop 5:34
Jürgen Havix / guitar, zither
Klaus Dapper / flute, saxophone
Jürgen Karpenkiel / bass
Walemar Karpenkiel / drums
With:
Volkmar Hahn / violin (5)
Axel Zinowski / guitar (6-8)
Christoph / electric piano (6-8)
Georg Funke / bass (6-8)
Producer – Conny Planck
1.-4. originally released on Brain 1034, 1973 Recorded at Windrose-Studio, Hamburg, March 1973
02. Baldrian 7:05
03. Försterlied 1:49
04. Gageg 18:42
Bonus Tracks:
05. Intro 2:23
06. Pull Moll 7:16
07. Pap-Jack 13:17
08. Rozz-Pop 5:34
Jürgen Havix / guitar, zither
Klaus Dapper / flute, saxophone
Jürgen Karpenkiel / bass
Walemar Karpenkiel / drums
With:
Volkmar Hahn / violin (5)
Axel Zinowski / guitar (6-8)
Christoph / electric piano (6-8)
Georg Funke / bass (6-8)
Producer – Conny Planck
1.-4. originally released on Brain 1034, 1973 Recorded at Windrose-Studio, Hamburg, March 1973
5.-8. Recorded at Kollektiv Rehearsal Studio, Krefeld, 1976
Kollektiv is a German kraut rock band with roots going back to the mid 60's. Their early history is tied-up with that of Kraftwerk, back when that band was still called Organisation. Two of Kollektiv's members featured in an early Organisation line-up. The band brings free instrumental Kraut improvisations with jazz and avant leanings.
The Kraftwerk/Organisation roots are still very evident on the first two tracks. Rambo Zambo is an entrancing improvisation with psych flutes and steadily rocking drums much like Kraftwerk's Ruckzuck. Also the first half of Baldrian brings back the droning cosmic experimentations of Kraftwerk. The second half of the track takes a more melodic and bluesy direction, reminiscent of Floyd's early soundtrack work. Both tracks may not be the most original Kraut material but they are both equally outstanding.
After a bit of Kraut chaos with silly Guru Guru-like vocals and lots of noise, the majestic 20 minute Gageg forms the heart of the original album. Again early Floyd blues and early Kraftwerk flutes come to mind but the guitar adds a King Crimson touch, almost like Fripp is doing the sustained guitar improvisations here. The excellent distorted saxophone add a more prominent jazzy flavor.
The 2007 CD reissue adds four live tracks that show the band in full-on jazz-rock-kraut mode, reminding of Soft Machine and Embryo. The sound quality of these tracks is slightly less then the perfectly produced sound of the CD, but it sure is more then good enough to follow all the individual instruments and to feel the power of these performances.
Due to its rather late release date, Kollektiv isn't an essential or historically important Kraut album but it sure is a superb one that comes highly recommended if you want to explore the jazzy/avant side of Krautrock.
Early 70's kraut-jazz fusion that contributes to the best of the genre. The music is really, cool, imaginative, intense, improvised and still fresh after all these years. These intuitive jazzy improvisations also introduce some sunny, enchanting flute parts and groovy sax solos. It's largely instrumental and devoted to dynamic prog injections with some flowing, spaced-out sessions. "Rambo Zambo" starts with a high quality improvisation, delivering very colourful free jazz freakout. "Baldrian" introduction delivers a dreamy, psychedelic soundscape, then it provides a kind of ethereal country-rock "trip". "Foirsterlied" is an eccentric, humorous improvisation in the genre of some RIO musical provocations. "Gagen-Andante" is full of tripped out effects, mixing floating flute lines and e- guitars disharmonies in a relative calm tempo. An adventurous & talented effort, moreover the sound is really refined, sophisticated contrary to most of krautrock albums.
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