Showing posts with label Yoshio Otomo. Show all posts
Showing posts with label Yoshio Otomo. Show all posts

Thursday, October 8, 2020

Takashi Mizuhashi - 1974 - Who Cares

Takashi Mizuhashi Quartet
1974
Who Cares


01. Who Cares 5:55
02. Sometime Ago 6:45
03. Deep In My Thought 6:09
04. In A Little Spring Waltz 5:20
05. Green Dolphin Street 2:56
06. Blues For Andrew 8:47

Alto Saxophone, Tenor Saxophone – Yoshio Otomo
Bass – Takashi Mizuhashi
Drums – Hideo Sekine
Piano – Fumio Karashima

Recorded Aug. 28, 1974 at Aoi Studio, Tokyo.


Who cares? We care! And it's hard not to – given the strength of this sweet little set from Japanese bassist Takashi Mizuhashi – a hell of a player who really knows how to keep things exciting throughout! The group's got some tremendous talent in the front – both Fumio Karashima on piano and Yoshio Otomo on alto and soprano sax – each players who get plenty of time in the spotlight, driven onto heights by Mizuhashi's bass – but sometimes in a very subtle way, too. Karashima plays Fender Rhodes a bit – which we really love for his spacious handling of the keys – and Takashi sometimes bows the bass in a way that makes for these really magical sound next to the Rhodes. The set's definitely on the more soulful side of the Japanese jazz spectrum from the 70s

Takashi Mizuhashi - 1974 - When A Man Loves A Woman

Mizuhashi Takashi Quartet
1974
When A Man Loves A Woman


01. When A Man Loves A Woman 11:49
02. So What 15:12
03. Sugar 18:26

Alto Saxophone – Yoshio Otomo
Bass – Takashi Mizuhashi
Drums – Hideo Sekine
Piano – Fumio Karashima
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Tenor Saxophone – Seiichi Nakamura (tracks: side B)
Trombone – Shigeharu Mukai (tracks: side B)

Recorded on Nihon Tohsi Center Hall on March. 23 & 26, 1974


A mighty soulful set from the group of bassist Takahashi Mizuhashi – served up in a really strong range of sounds that are spun out over the album's very long tracks! The set begins with a soulful rendition of "When A Man Loves A Woman", but then soars into freer jazz territory at the start of "So What" – which begins with one of the most outside readings of the Miles Davis classic we've ever heard! The album really sparkles – thanks to some strong work on alto from Yoshio Otomo, and piano from the great Fumio Karashima – and side two features guest trombone from Shigeharu Mukai and tenor from Seiichi Nakamura – who really help things stretch out on an 18 minute take on Stanley Turrentine's classic "Sugar".