Showing posts with label Tony Hymas. Show all posts
Showing posts with label Tony Hymas. Show all posts

Friday, January 13, 2023

Jeff Beck - 1980 - Live at Sapporo Green Dome

Jeff Beck
1980
Live at Sapporo Green Dome



Empress Valley Supreme Disc EVSD-333/334


101. Star Cycle
102. El Becko
103. Too Much To Loose
104. The Pump
105. Cause We've Ended As Lovers
106. Space Boogie
107. The Final Peace
108. Led Boots

201. Freeway Jam
202. Diamond Dust
203. Scatterbrain
204. Blue Wind


Sapporo Green Dome, Sapporo, Hokkaido, Japan – December 14th, 1980

Jeff Beck: Guitar
Mo Foster: Bass
Tony Hymas: Keyboards
Simon Phillips: Drums




Jeff Beck’s show in Sapporo, Hokkaido, Japan was the eighth out of eleven dates in Japan (8th Day Of Rocupation ’80?) and, since his previous visits in 1973 and 1978 missed Sapporo, it was his first show in the northern city.
The audience tape in circulation for the show is very good to borderline excellent. It is able to capture very many details that are normally lost in other audience recordings. On the negative side, there are very faint traces of distortion in the high frequencies. The tape cuts in during the opening of “Star Cycle” (apparently the person recording the show taped taped over it), a small cut before “Led Boots” and the encores “Goodbye Pork Pie Hat / You Never Know” and “Going Down” are missing.

Going Down (Aphrodite Studio APH-91004-1/2) is another well known title containing this show. Released in 1991, in addition to Sapporo it also included “Going Down” from the December 4th Budokan show and a studio recording of “Rock And Roll Jelly” featuring Stanley Clarke and Carmine Appice on drums.

Of all the shows in Japan, this is perhaps the most laid back and mellow. Not only is the audience polite and quite while listening to the music, they offer scant applause between the numbers. Beck himself, who is normally quite laconic, is even more so during the show only offering short introductions to Mo Foster after “Cause We’ve Ended As Lovers” and Tony Hymas after “Led Boots.”

On the positive side, this is another stellar performance from the guitarist, who would take a long holiday from live performance several days after. He’s attempting to interject some improvisations into the material not heard in other performances starting with some unusual melodies in “Star Cycle.”

The stand out track of the evening occurs near the beginning with a mind altering performance of “Too Much To Lose,” an instrumental from the new album There & Back. Jan Hammer wrote and recorded the tune (with vocals) on the Jan Hammer Group’s 1977 album Melodies. But Beck’s interpretation, with the schizophrenic guitar over the funky bassline, is a substantial improvement. So much so that Hammer would re-record it as an instrumental in 1989 for Snapshots (with Beck, David Gilmour and Ringo Starr).

The latter half of the show is quite intense with a long version of “Freeway Jam.” The keyboards are given a workout for “Diamond Dust,” and “Scatterbrain” reaches over twenty minutes with a surprisingly subtle drum solo which sounds excellent in this detailed recording.

It’s a shame the rest of the show is absent because it is overall an excellent show, startling for its subtly.

Live At Sapporo Green Dome was released in 2005 packaged in a two-disc fatboy jewel case. Empress Valley include an excellent mini reproduction of the tour programme for sale at the venue. It’s a nice touch from back when the label were still innovators in mastering, presentation and packing. This is the definitive version of Sapporo until another tape surfaces with the missing encores.

Thursday, January 12, 2023

Jeff Beck - 1978 - Out Of Darkness



Jeff Beck 
1978 
Out Of Darkness

Wardour – Wardour-040

101. Darkness
102. Earth In Search Of A Sun
103. Star Cycle
104. Freeway Jam
105. Cat Moves
106. Goodbye Pork Pie Hat
107. Stanley Clarke Solo / School Days

201. Journey To Love
202. Lopsy Lu
203. Diamond Dust
204. Scatterbrain
205. Simon Phillips Drum Solo
206. Rock 'n' Roll Jelly
207. Cause We've Ended As Lovers
208. Blue Wind
209. Superstition

Live at Budokan, Tokyo, Japan 2nd December 1978.

Jeff Beck: Guitar
Stanley Clarke: Bass
Tony Hymas: Keyboards
Simon Phillips: Drums



Jeff Beck’s tour of Japan with Stanley Clarke was ten dates long and ended on December 2nd, 1978 in the Budokan. Out Of Darknkess presents the same audience tape that was utilized for Lonesome Crow (Masterport 054) on CDR and on Explosion (Masterport 216). This is a very good, slightly distant mono recording of the complete show. There are several non-destructive cuts between song of the songs but nothing major.

The set is a good mixture of Beck songs, Clarke songs and long solo spots meant to showcase all of the talent onstage. The sombre “Darkness / Earth In Search Of A Sun” is the introduction before the effective “Star Cycle” and a light, jazzy arrangement of “Freeway Jam.”

After “Freeway Jam” they get into “Cat Moves.” This tune replaced “Hot Rock” in the setlist after the November 24th show in Osaka. It was written by Jan Hammer and wouldn’t be released by Beck but on Cozy Powell’s LP Tilt in 1981 with Beck guesting.

Stanley Clarke’s bass solo occupies several minutes of the set list and is an encyclopedia of styles and rhythms. It segues into “School Days” with Beck as support by the end but the melody and improvisation all belong to Clarke. “Journey To Love” from Clarke’s 1975 solo album is the only song in the set with a vocal melody. The sci-fi lyrics of the studio recording are replaced by Beck scatting vocals, but otherwise it is an instrumental and it works much better.

Tony Hymas has a nice solo within “Diamond Dust” which Beck acknowledges and they all take turns in “Scatterbrain.” Hymas has another solo, but it is most interesting to hear Beck and Clarke play a game of call and response. Simon Phillips’ five minute drum solo serves as a coda to the piece.

Clarke plays several Beck-like riffs on the bass guitar as a prelude to the brilliant “Rock And Roll Jelly.” The bass guitar / lead guitar continue their game of tag over the eight minutes of the piece. An epic six minute rendition of “Blue Wind” closes the show. Two minutes of audience applause are intact on the tape between that and the encore “Superstition.” Beck pulls out his voice box for the Stevie Wonder cover which wasn’t played during the Jan Hammer years.

Wardour released Out Of Darkness in August 2008 and is one of their better Jeff Beck releases. It came out during a short phase where the labels were fascinated by Beck’s collaboration with Clarke and several great titles came out. This one stands out for the enthusiasm the musicians have for the final show of the short Japan tour. Wardour use glossy paper inserts for the artwork with tour photographs and is worth having.

Monday, November 15, 2021

Graeme Edge Band - 1977 - Paradise Ballroom

The Graeme Edge Band
1977
Paradise Ballroom




01. Paradise Ballroom 8:25
02. Human 6:25
03. Everybody Needs Somebody 4:55
04. All Is Fair 5:10
05. Down, Down, Down 6:01
06. In The Night Of The Light 3:10
07. Caroline 6:05

Bass, Vocals – Paul Gurvitz
Drums – Graeme Edge
Flute – Lannie McMillan
Guitar, Vocals – Adrian Gurvitz
Keyboards – Blue Weaver, Tony Hymas
Keyboards, Synthesizer [Moog] – Ann Odell
Percussion – Rebop Kwaku Baah
Saxophone – Emerson Able
Saxophone, Flute – Bill Easley
Steel Guitar [Pedal] – BJ Cole
Trombone – Bill Floores, Ken Spain
Trumpet, Flugelhorn – Ben Cauley, Edgar Matthews
Vocals – Brian Parrish




Having been pushed to the periphery on his sophomore solo album, Kick Off Your Muddy Boots, Moody Blues drummer Graeme Edge wrestled back control for the follow-up, Paradise Ballroom. On Boots, singer/guitarist Adrian Gurvitz shared the limelight only with keyboardist Mickey Gallagher, leaving his own brother, bassist Paul, and his putative employer, Edge, to languish in the shadows. Now the tables were turned, as Edge insisting on co-writing all the tracks with Gurvitz (the drummer contributed only three on his debut), and promoted Paul to lead vocalist. This resulted in a much more coherent set, and a far funkier one, throwing the spotlight directly onto the rhythm section, bolstered by guesting Traffic percussionist Rebop Kwaku Baah. Of course, Gurvitz's lead guitar still splays across the album, but so does a full horn section, as the set sashays around disco, reggae, Motown, funk, and soul, the upbeat songs counterbalanced by gorgeous, introspective numbers. The discofied adaptation of "Everybody Needs Somebody" is inspired, the breezy "In the Light of Night" a delight, and the funky title track a soul-filled extravaganza