Stanley Turrentine - 1971 - Sugar

Stanley Turrentine

1971

Sugar

01. Sugar 10:00

02. Sunshine Alley 11:00

03. Impressions 15:30

Bass – Ron Carter

Congas – Richard "Pablo" Landrum

Drums – Billy Kaye

Electric Piano – Lonnie L. Smith, Jr.

Guitar – George Benson

Organ – Butch Cornell

Tenor Saxophone – Stanley Turrentine

Trumpet – Freddie Hubbard

Recorded at Van Gelder Studios

Recorded November, 1970

If ever there were a record that both fit perfectly and stood outside the CTI Records' stable sound, it is Sugar by Stanley Turrentine. Recorded in 1970, only three tracks appear on the original album (on the reissue there's a bonus live version of the title track, which nearly outshines the original and is 50 percent longer). Turrentine, a veteran of the soul-jazz scene since the '50s, was accompanied by a who's who of groove players, including guitarist George Benson, Lonnie Liston Smith on electric piano, Freddie Hubbard on trumpet, bassist Ron Carter, organist Butch Cornell, and drummer Billy Kaye, among others. (The live version adds Airto, flutist Hubert Laws, drummer Billy Cobham, and organist Johnny Hammond.) The title track is a deep soul blues workout with a swinging backbeat and the rhythm section fluidly streaming through fours and eights as Benson, Hubbard, and Turrentine begin slowly and crank up the heat, making the pace and stride of the cut simmer then pop -- especially in Hubbard's solo. This is truly midnight blue, and the party's at the point of getting really serious or about to break up. By the time Benson picks up his break, full of slick, shiny, warm arpeggios, the seams are bursting and couples are edging into corners. Butch Cornell's "Sunshine Alley" is a solid, funky groover, paced by organ and double fours by Kaye. Turrentine and Hubbard stride into the melody and keep the vamp in the pocket, riding out past the blues line into a tag that just revs the thing up even further. But the big surprise is in the final track, one of the most solidly swinging, from-the-gut emotional rides of John Coltrane's "Impressions" ever taken. Turrentine is deep inside his horn, ringing out in legato with everything he has -- and it is considerable. Ron Carter's bass playing flows through the modal interludes, creating a basis for some beautifully intervallic invention by Benson and Smith by building a series of harmonic bridges through the mode to solos. It's hard to believe this is Turrentine, yet is could be no one else. If jazz fans are interested in Turrentine beyond the Blue Note period -- and they should be -- this is a heck of a place to listen for satisfaction.

Soul jazz with a blues flavour, great line up, and of course had to get it when I saw Freddie Hubbard plays trumpet. Stanley Turrentine is no slouch on saxophone either. Rounding out the rest of the band, Ron Carter, great bass player, George Benson, doing his thing on guitar, the ever talented Lonnie Liston Smith (another fave of mine) on electric piano, Butch Cornell on funky organ, Billy Kaye on drums, and some conga playing, ever so subtle, from Richard 'Pablo' Landrum. Side two is one long track to sink into. Side one, two tracks, starting out with 'Sugar' tied for the best track with the one long track on side two, in which Hubbard really shows off, in fact the main guys stretch it out, Benson, Turrentine getting long play. Love this album, and it sounds so good on vinyl. Jazz and classical music were meant for vinyl, best way to hear them. Especially good because this is an original, the gatefold pressing, there are lots of reissues but there is nothing like the original. CTI records fell out of favour at one point and these originals where cheap to get but then rappers started using them for samples and the price went back up. Got this at a vinyl fair, unfortunately the price was back up. No worries, I play this lots and love it, it oozes groove.