Tom Scott And The L.A. Express - 1974 - Tom Scott And The L.A. Express

Tom Scott And The L.A. Express

1974

Tom Scott And The L.A. Express

01. Bless My Soul 4:13

02. Sneakin' In The Back 4:31

03. King Cobra 4:21

04. Dahomey Dance 3:40

05. Nunya 3:38

06. Easy Life 3:00

07. Spindrift 5:41

08. Strut Your Stuff 3:35

09. L.A. Expression 6:20

10. Vertigo 2:30

Bass – Max Bennett

Guitar – Larry Carlton

Horns, Woodwind – Tom Scott

Keyboards – Joe Sample

Percussion, Drums – John Guerin

Most of Tom Scott's GRP albums of the '80s and '90s have been shallow, formulaic releases offering little evidence of the saxman's improvisatory skills. But most of his earlier recordings of the '70s were appealing jazz/funk/R&B efforts that, although commercial and highly accessible, demonstrated his capabilities as a soloist. If the version of Scott's L.A. Express band heard on this album (reissued on CD in 1996) brings to mind the Crusaders, it's because two of its members, keyboardist Joe Sample and guitarist Larry Carlton, were also Crusaders members. Although the Express was never in a class with that band, it was a likable unit defined by its cohesiveness, warmth, and spontaneity. As slick as the Express was, it took risks. It's hard to imagine Scott providing a funk-drenched version of John Coltrane's "Dahomey's Dance" as he does here -- or incorporating Middle Eastern influences as he does on "King Cobra" -- on his calculated GRP recordings of the '90s. Solid jazz-funk like "L.A. Expression" and "Nunya" is well worth hearing. And "Spindrift," though congenial and mellow, is far more substantial than the Muzak with which he would later inundate us.

This album features a young reed player abounding in talent and energy. There's old school Jazz-Rock fusion, there's a more funky side reminding of Tower Of Power and the Crusaders. There's Quiet Storm before the term had been coined as a Radio format, there's also the experimental touch. The music is interesting and accessible at the same time. And most importantly, it all sounds fresh and unconsumed. Tom Scott gets plenty of opportunities to 'strut his stuff' as a player without overpowering the flow of the music.