Rabih Abou-Khalil - 1994 - The Sultan's Picnic

Rabih Abou-Khalil

1994

The Sultan's Picnic

01. Sunrise In Montreal 8:14
02. Solitude 6:32
03. Dog River 4:25
04. Moments 6:17
05. Lamentation 8:59
06. Nocturne Au Villaret 6:33
07. The Happy Sheik 6:02
08. Snake Soup 4:28

Alto Saxophone – Charlie Mariano
Bass – Steve Swallow
Congas – Milton Cardona
Drums – Mark Nauseef
Frame Drum [Frame Drums] – Nabil Khaiat
Harmonica – Howard Levy
Oud – Rabih Abou-Khalil
Trumpet, Flugelhorn – Kenny Wheeler
Tuba, Serpent – Michel Godard

Composer and oudist Rabih Abou-Khalil generates variety and interest by bringing aboard different guest musicians for each album. The personnel on Sultan's Picnic is so similar to that of Blue Camel that one might expect them to sound similar. But there's a key difference in the presence of Howard Levy on Sultan's Picnic. Levy is a talented harmonica player who has done a lot of offbeat work, including a stint with Béla Fleck & the Flecktones. Despite the power of Charlie Mariano on alto sax and Kenny Wheeler on trumpet, this album is dominated by the idioms of the harmonica, specifically the jazzy, quirky, lackadaisical idiom popularized by Levy's work with the Flecktones. This domination is noticeable from the beginning, on "Sunrise in Montreal." Occasionally, the harmonica recedes to the background and allows other instruments to shine through. On "Solitude," Levy provides only the occasional raspy sound effect, while Abou-Khalil steps forward with an instrument he had custom-built: the bass oud. Other novel instruments put in an appearance here as well. Michel Godard huffs and toots away on the tuba and its archaic predecessor, the serpent. (This is in addition to Steve Swallow on bass.) Whether because of the multitude of instruments -- all the aforementioned, plus three percussionists and an uncredited electric guitar -- or just too much influence from Levy, the album lacks focus, except when it sounds like the Flecktones. There are exceptions, like "The Happy Sheik" and "Snake Soup," where Abou-Khalil sounds like his dramatic self again. But on these tracks, Levy is used mostly as punctuation.

This album features a very similar lineup as Rabih's masterpiece Blue Camel. Once again Rabih uses his masterful arrangement skills to create wonderful horn lines and blends them with his middle eastern melodies and frenetic oud playing. As with all Khalil albums there is fantastic frame drame playing. Kenny Wheeler is featured on trumpet and really gets into the middle eastern thing. Two things that make this album different than Blue Camel are the addition of a harmonica player, and two tracks which feature Rabih the the bass oud. Personally I'm not a fan of the harmonica, but I abolutely love the bass oud. Solitude and Lamentation (which feature the bass oud) are chilling. Highly recommended.